sato

The Great East Japan earthquake has happened in 2011.Because it was enrolled in a university of the Tohoku and Kanto area,sato couldn't think as a somebody else's problem,and felt deep anxiety and thought to have.But nothing is made and he has begun to draw his hand to hope.Art activities of sato became synonymous to a prayer at the same time.It's because he thought he’d like to be anonymous that he has decided to introduce oneself as sato when beginning art activities.It's being hoped that he'd like to be someone's other spokesmen in a compensation.Artist's face doesn't like being shown on every aspects of life for it.It's also for it that“s”is lowercase.
He participated with 2012 and 2013 in a group exhibition and held a solo exhibition in 2014 at last.Sapporo international art festival 2014 (guest director: Ryuichi Sakamoto) was held in a simultaneous period,and it was approved as related event.After doing basic training of a croquis daily,sato keeps drawing an abstract painting,not sticking to a subject matter for a painting and a style and drawing freely by the way to draw by a right brain.sato begins to start overseas operations to come near and release a work widely.He heled solo exhibition in New York in 2017.He is aiming at more work announcements at foreign countries from now on.When doing future's activity,sato regards Gerhard Richter as an ideal artist.It's also possible also to draw a good representational painting dreadfully and draw an abstract painting,and moreover he's also dealing with a solid work and agrees with directionality of sato.

2011年に東日本大震災が発生した。東北・関東地域の大学に在籍していたsatoは、他人の問題と思えず、強い不安を感じた。理由は不明だが、その時に祈る手を描き始め、同時に、彼の芸術活動は祈りの代名詞となった。
彼は、現代の芸術ではもはや実行されない技術や方法はほぼないと考える。そのため、独創性を強調しない。彼が使用したアート素材や技法は多岐にわたり決まったスタイルを持たない。日本での活動後、海外にも進出を始めた。2017年にニューヨークで個展を開催し、海外での作品発表をさらに目指している。
彼は活動の方向性として、ゲルハルトリヒターを理想的な芸術家と見なす。きわめて具象的な絵画を描き、抽象的な絵画を描くことも可能で、さらには立体作品も作っており、satoの方向性に合致する。
彼はギャラリーを管理し、若いアーティストを育成するために、2020年に事務所を開設し、今後も活動の幅を広げる予定だ。